Stage. Screen. All of It.

Theatre is where I started. On-camera is where I'm growing. Playing layered, intelligent women across both, that's where I live.

Theatre & Stage

A woman with short blonde hair wearing a patterned dress and a brown fur coat, sitting on a bed, smiling, with her right hand raised holding a cigarette holder, looking at a man standing on the left. The man has short hair, wearing a white shirt with a gray sweater vest and brown pants, hands on hips, looking at the woman. The room has dark walls, a wooden door, a side table, and a wardrobe.

My life onstage has always been where art and truth meet. I’ve built a career that bridges the worlds of musical theatre, storytelling, and human connection from classic revivals to new works in development.

I’ve performed across the country and abroad, including regional theatre and multiple productions at sea. Favorite roles include Millie in Thoroughly Modern Millie, Sally in Cabaret (twice), Caroline in Titanic, Princess Fiona in Shrek, Alison Bechdel in Fun Home (twice), and Janet Van Der Graaf in The Drowsy Chaperone.

I’m drawn to characters with depth — women navigating transformation, identity, and resilience. Whether comedic or dramatic, I love exploring roles that challenge expectations and reveal something true about what it means to be human.

Recent highlights include originating the role of Agatha in The Fulfillment (NYC workshop) and developing Willa in Ryan Scott Oliver’s We Foxes in a San Diego workshop production.

These stories remind me why I perform: to connect people, move emotion into action, and give voice to experiences that deserve to be seen and heard.

On-Camera & Film

Working in narrative film, vertical drama, and on-camera storytelling.

After two decades on stage, stepping fully into screen work has been one of the most creatively alive choices I've made.

So far in 2026 my film credits include The Party at Clarissa Dalloway's (Lead) and What Was Mine (Supporting). Two vertical drama series on ReelShort and Dramabox releasing soon.

I'm drawn to projects with narrative depth: women who are thinking, choosing, navigating something real in real time. Whether dramatic or grounded in humor, I bring specificity and an understanding of how the camera sees differently than the stage does.

Commercial & Industrial

Available for commercial, industrial, and branded content.

I work regularly in commercial and industrial projects. Specific credits and conflicts are available through standard casting channels upon request.

For Casting & Submissions

For direct inquiries, use the contact page.